I love the watermelon story/seed story concept, but sometimes I still have kids who stare at me blankly whenever I bring it up for the first time. They look at me like I'm speaking Spanish, but I try to keep plowing ahead with the analogies and examples until they are fluent in the "writing language" we use in class. Even though I am no longer allowed to use Units of Study to teach writing, I still find ways to blend great strategies into the Reading Street curriculum.
We talked a lot about how watermelon topics are big huge stories full of lots of different ideas, just like watermelons are full of lots of seeds. I rambled a bit about my dogs, making sure to give lots of irrelevant information while also staying away from any really specific or particularly vivid details. You know the type of story I'm talking about: "I have two dogs named K-Fed and Loralei. They are soft. They are funny. I like to play with them. Sometimes I like to take them to the park. They don't like to go to the vet. They bark. They are crazy. Sometimes they drive me crazy. I had a dog when I was a kid. Her name was Mindy. Now my parents have a dog named Sadie. My sister doesn't like dogs. She has a cat named Fancy. I like to be fancy, but my husband tells me that I don't need another purse. I love purses..." You get the picture. The kids are always quick to point out that I changed my topic and that the story could use some work. So then I tell them that usually when I read my own writing and realize that it's kind of veering off-track, I ask myself, "What am I really trying to say?" In that case, I was trying to talk about my dogs, but somehow I started to talk about purses. So, I explain that we sometimes can start with just one tiny idea to write about a small moment or a seed story. I think out loud about different ideas I could write about.
At this point, I usually explain how I'm going to focus on one small moment with my pets that I really remember well. So, I usually talk about how my dogs can be destructive, because it always gets a rise out of the kids, and they can really visualize it playing out. So, I typically tell them about how my mom, my sister, my grandmother and I went to breakfast one summer morning at Bob Evans, and how I left the dogs in the crate before we left my house. I explain that, "...when we got home, K-Fed met us at the door. He jumped and danced around my feet like a little lima bean and squealed like a pig. I heard barking coming from the living room. Loralei was crying in her crate, and K-Fed's was peeled back like a candy wrapper. The middle of my floor was bare and carpet-less. My couch had a gaping white hole on the arm, and the floor was littered with stuffing, shoes, broken sunglasses, a water bottle, and my husband's gym 30 lb. gym bag that had been dragged down the hallway from our spare room." At this point, half of the class usually has their mouth open in shock and the rest are laughing hysterically. Of course, they ask if this is a true story, and I explain that it is. I tell them that some of the best stories are based off our our own real life experiences since we are the main characters in our lives.
This year, I launched Phase II, kind of spontaneously. I was talking about how I took one experience and s-t-r-e-t-c-h-e-d it out while adding that to our anchor chart. I happened to have Silly Putty in the marker tray that I tried to use with a student for a sensory anxiety-reducing tool, and it caught my eye. It was one of those moments that you wish you could just bottle up and tap into any time you feel like you're stuck in a rut. Totally lightning in a bottle! I finished writing on the chart paper, sauntered over to the board, and clutched the Silly Putty in my hand. The Silly Putty's little egg-shaped container looks little seed-like, don't you think?! So, I reread what we just wrote on the anchor chart, and reminded them how I tried to write a seed story. Then, I cracked open the "seed" and started to s-t-r-e-t-c-h it out. I pointed out how some ideas start small, but we can make it longer by adding details about the experience. Insert oooohhhhs and aaaahhhhhs here. My captive audience of 8 and 9-year-olds love anything toy-like, so I knew it did the trick, especially when I heard, "Ooooooohhhhhh, now I get it!" Now, this is my little prop whenever we review the idea of writing small, focused seed stories. I'm definitely going to keep it in my little bag of writing tricks.


